{"id":28169,"date":"2018-02-02T09:18:33","date_gmt":"2018-02-02T07:18:33","guid":{"rendered":"https:\/\/architecture.org.cy\/i-am-where-you-are\/"},"modified":"2023-07-15T14:18:20","modified_gmt":"2023-07-15T11:18:20","slug":"i-am-where-you-are","status":"publish","type":"post","link":"https:\/\/architecture.org.cy\/en\/i-am-where-you-are\/","title":{"rendered":"I Am Where You Are"},"content":{"rendered":"<p><em><strong>\u201cWe call upon voices of resistance. We challenge the globalization of the built environment. We accentuate the crafting of humanitarian constructed fragments. We augment the simplicities of everyday rituals. We note the synergy of the untouched and the harnessed environment. We record an interwoven scenography of nature and the human condition\u201d.<\/strong><\/em><\/p>\n<p><em>Curators of the Cyprus Pavilion<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>\u2018I Am Where You Are\u2019<\/strong><\/em>\u00a0is a platform for communication. By highlighting, questioning and then deconstructing sets of binaries (key to cultural perception in and about Cyprus), we disengage from convention. Multiplicities, found in between these binaries, \u201cbuilt_unbuilt, tradition_modernity, Island of Love_place of conflict, immigration_local identity\u201d, are revealed in the pavilion, allowing unexpected experiences to be celebrated.<\/p>\n<p>Architecture is the mediator and the lens used to investigate these often-unnoticed conditions. We focus on the importance of the architectural section. The Pavilion show-cases significant contemporary innovative projects, and incorporates important ancient and vernacular works. We collapse notions of time\/space and presence\/non-presence, utilizing digital and interactive means. The physicality of the body of the visitor dissolves, as it is enveloped in a wearable apparatus and immersed into a moving-scape of simultaneous projections.<\/p>\n<p><em><strong>\u2018I Am Where You Are\u2019<\/strong><\/em>, because we are constantly moving and shifting, both physically and digitally. We continuously transform, therefore, \u2018I encompass some of what you are and you encompass some of what I am\u2019. The Cyprus Pavilion becomes a transmitter and a receiver: within the exhibit, visitors interact with people in Cyprus and are transported virtually in space and time into the Cypriot context. Different languages, customs, cultures etiquette and built form we experience on a daily basis mix and merge. They bring into focus that which differentiates, connects and binds us together.<\/p>\n<p><strong>The Team<\/strong>:<br \/>\nThe team is made up of a diverse international group of architects, a practicing video artist and a museologist. The Curators have collaborated on several projects in the past. In 2016 they represented Cyprus as the Curators of the State Pavilion for the Milano Triennale with their project \u2018Human Topographies_Emerging Identities\u2019. In 2010 they collaborated on the design for the A.R.C which houses the Department of Architecture at University of Nicosia. A.Swiny and Y.Hadjichristou have been working and teaching together at the Department of Architecture, UNic, since 2008. V. Antoniou and Y.Hadjichristou have collaborated in design projects since 2004. In 2014 V. Antoniou established Urban Gorillas (a non-for-profit organization involved in urban actions through community engagement) where Y.Hadjichristou is a member of the board.<\/p>\n<p><strong>Curators:<\/strong><br \/>\nVeronika Antoniou_Architect, Urbanist, Co-Founder and Managing Director of the NGO Urban Gorillas (www.urbangorillas.org)<br \/>\nYiorgos Hadjichristou_Architect, Professor University of Nicosia, Board Director of the NGO Urban Gorillas (www.yiorgoshadjichristou.com)<br \/>\nAlessandra Swiny_Architect, Head of the Department of Architecture, University of Nicosia (www.alessandraswiny.com)<\/p>\n<p><strong>Additional Information:<\/strong><br \/>\nOrganized: Cyprus Architects Association<br \/>\nCommissioners\/Supporters: Republic of Cyprus, Ministry of Education and Culture<br \/>\nOther collaborators: Urban Gorillas (NGO), University of Nicosia<br \/>\nAdditional Team Members: Matthieu Tercieux, Despo Pasia, Stefanos Panteli, Anastasios Balabanides, Evdokia Demetriou, Jose Luna, Teresa Ditadi<\/p>\n<p>The works of additional Participants will be selected through two Open Calls<\/p>\n<hr \/>\n<p><strong>\u0395\u03af\u03bc\u03b1\u03b9 \u03a4\u03b6\u03b9\u03b1\u03bc\u03b1\u03af \u03c0\u03bf\u03c5 \u0395\u03af\u03c3\u03b1\u03b9<\/strong><\/p>\n<p><em><strong>\u00a0\u201c\u0391\u03c0\u03b5\u03c5\u03b8\u03c5\u03bd\u03cc\u03bc\u03b1\u03c3\u03c4\u03b5 \u03c3\u03b5 \u03b5\u03c3\u03c4\u03af\u03b5\u03c2 \u03b1\u03bd\u03c4\u03af\u03c3\u03c4\u03b1\u03c3\u03b7\u03c2. \u0391\u03bc\u03c6\u03b9\u03c3\u03b2\u03b7\u03c4\u03bf\u03cd\u03bc\u03b5 \u03c4\u03b7\u03bd \u03c0\u03b1\u03b3\u03ba\u03bf\u03c3\u03bc\u03b9\u03bf\u03c0\u03bf\u03af\u03b7\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b4\u03bf\u03bc\u03b7\u03bc\u03ad\u03bd\u03bf\u03c5 \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03bf\u03c2. \u0395\u03c0\u03b9\u03c3\u03b7\u03bc\u03b1\u03af\u03bd\u03bf\u03c5\u03bc\u03b5 \u03c4\u03b1 \u03b8\u03c1\u03b1\u03cd\u03c3\u03bc\u03b1\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03b1\u03bd\u03b8\u03c1\u03ce\u03c0\u03b9\u03bd\u03b7\u03c2 \u03b4\u03c1\u03b1\u03c3\u03c4\u03b7\u03c1\u03b9\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2. \u0394\u03b9\u03b5\u03c5\u03c1\u03cd\u03bd\u03bf\u03c5\u03bc\u03b5 \u03c4\u03b7\u03bd \u03b1\u03c0\u03bb\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03ba\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae\u03c2 \u03c4\u03b5\u03bb\u03b5\u03c4\u03bf\u03c5\u03c1\u03b3\u03af\u03b1\u03c2. \u0394\u03b9\u03b1\u03c0\u03b9\u03c3\u03c4\u03ce\u03bd\u03bf\u03c5\u03bc\u03b5 \u03c4\u03b9\u03c2 \u03c3\u03c5\u03bd\u03ad\u03c1\u03b3\u03b5\u03b9\u03b5\u03c2 \u03b1\u03bd\u03ac\u03bc\u03b5\u03c3\u03b1 \u03c3\u03c4\u03bf \u03ac\u03b8\u03b9\u03ba\u03c4\u03bf \u03c4\u03bf\u03c0\u03af\u03bf \u03ba\u03b1\u03b9 \u03c3\u03c4\u03bf \u03c4\u03bf\u03c0\u03af\u03bf \u03c0\u03bf\u03c5 \u03c5\u03c0\u03cc\u03ba\u03b5\u03b9\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03b1\u03bd\u03b8\u03c1\u03ce\u03c0\u03b9\u03bd\u03b7 \u03b5\u03c0\u03ad\u03bc\u03b2\u03b1\u03c3\u03b7. \u039a\u03b1\u03c4\u03b1\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5\u03bc\u03b5 \u03c4\u03b7 \u03c3\u03c5\u03bd\u03c5\u03c6\u03b1\u03c3\u03bc\u03ad\u03bd\u03b7 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03c6\u03cd\u03c3\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03bd\u03b8\u03c1\u03ce\u03c0\u03b9\u03bd\u03b7\u03c2 \u03c3\u03c5\u03bd\u03b8\u03ae\u03ba\u03b7\u03c2&#8221;.<\/strong><\/em><\/p>\n<p><em>\u039f\u03b9 \u03b5\u03c0\u03b9\u03bc\u03b5\u03bb\u03ae\u03c4\u03c1\u03b9\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03bf \u03b5\u03c0\u03b9\u03bc\u03b5\u03bb\u03b7\u03c4\u03ae\u03c2 \u03c4\u03b7\u03c2 \u039a\u03c5\u03c0\u03c1\u03b9\u03b1\u03ba\u03ae\u03c2 \u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ae\u03c2<\/em><br \/>\n<em>\u0392\u03b5\u03c1\u03cc\u03bd\u03b9\u03ba\u03b1 \u0391\u03bd\u03c4\u03c9\u03bd\u03af\u03bf\u03c5, Alessandra Swiny, \u0393\u03b9\u03ce\u03c1\u03b3\u03bf\u03c2 \u03a7\u03b1\u03c4\u03b6\u03b7\u03c7\u03c1\u03af\u03c3\u03c4\u03bf\u03c5<\/em><\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-28169 gallery-columns-2 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_2-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_2-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-24861\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-24861'>\n\t\t\t\tAuthor: Stefanos Pantelis Work\u2019s title: \u2018Crafted Scenographies\u2019\u2219 Year: 2018 \u2219 Technique: Ink hand drawing\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_3-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_3-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-24862\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-24862'>\n\t\t\t\tAuthors: Collage by Evdokia Demetriou Work\u2019s title: \u2018Shadows &#038; Stairs\u2019 Year: 2018 \u2219 Technique: Mixed media collage Name of Photographers: Yiorgos Hadjichristou, NGO Urban Gorillas, Teresa Ditadi Courtesy: Thompson, John, Through Cyprus with the Camera in the Autumn of 1878, Free of Copyright\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_4-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_4-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-24863\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-24863'>\n\t\t\t\tAuthors: Collage by Jose Luna Work\u2019s title: \u2018The Milk Maid &#038; a White Flamingo\u2019 \u2219 Year: 2018 \u2219 Technique: Mixed media collage Name of Photographers: Yiorgos Hadjichristou, NGO Urban Gorillas, Teresa Ditadi Courtesy: Thompson, John, Through Cyprus with the Camera in the Autumn of 1878, Free of Copyright\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_5-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/architecture.org.cy\/wp-content\/uploads\/02022018biennale_5-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-24864\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-24864'>\n\t\t\t\tAuthors: Collage by Anastasis Balabanides Work\u2019s title: \u2018Human Topographies_ Emerging Identities\u2019 reloaded \u2219 Year: 2018 Technique: Photo collage \u2219 Name of Photographers: Yiorgos Hadjichristou, Ourania Apserou \u2219 Courtesy: Cyprus Pavilion at the Milano Triennale,2016 Curated by: Alessandra Swiny, Veronika Antoniou and Yiorgos Hadjichristou \u2219 Additional Team members: Christiana Karamalli, Yiorgos Papiotis, Ourania Apserou\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<p>\u03a4\u03bf\u00a0<strong><em>\u0395\u03af\u03bc\u03b1\u03b9 \u03a4\u03b6\u03b9\u03b1\u03bc\u03b1\u03af \u03c0\u03bf\u03c5 \u0395\u03af\u03c3\u03b1\u03b9<\/em><\/strong>\u00a0\u03b1\u03c0\u03bf\u03c4\u03b5\u03bb\u03b5\u03af \u03bc\u03b9\u03b1 \u03c0\u03bb\u03b1\u03c4\u03c6\u03cc\u03c1\u03bc\u03b1 \u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1\u03c2. \u03a6\u03ad\u03c1\u03bd\u03bf\u03c5\u03bc\u03b5 \u03c3\u03c4\u03bf \u03c0\u03c1\u03bf\u03c3\u03ba\u03ae\u03bd\u03b9\u03bf, \u03b1\u03bc\u03c6\u03b9\u03c3\u03b2\u03b7\u03c4\u03bf\u03cd\u03bc\u03b5 \u03ba\u03b1\u03b9 \u03b1\u03c0\u03bf\u03b4\u03bf\u03bc\u03bf\u03cd\u03bc\u03b5 \u03b4\u03b9\u03c0\u03bf\u03bb\u03b9\u03ba\u03ad\u03c2 \u03b4\u03c5\u03b1\u03b4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c0\u03bf\u03c5 \u03ad\u03c7\u03bf\u03c5\u03bd 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\u03ba\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03b4\u03af\u03c0\u03bb\u03b1 \u03c3\u03b5 \u03b9\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03cc \u03b9\u03c3\u03c4\u03cc. \u03a3\u03c5\u03bc\u03c0\u03c4\u03cd\u03c3\u03c3\u03bf\u03c5\u03bc\u03b5 \u03c4\u03b9\u03c2 \u03ad\u03bd\u03bd\u03bf\u03b9\u03b5\u03c2 \u03c4\u03bf\u03c5 \u03c7\u03ce\u03c1\u03bf\u03c5\/\u03c7\u03c1\u03cc\u03bd\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03c2 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c2\/ \u03b5\u03c0\u03b9\u03c3\u03c4\u03c1\u03b1\u03c4\u03b5\u03cd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ac \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b1\u03b4\u03c1\u03b1\u03c3\u03c4\u03b9\u03ba\u03ac \u03bc\u03ad\u03c3\u03b1. \u0397 \u03c6\u03c5\u03c3\u03b9\u03ba\u03ae \u03c5\u03c0\u03cc\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03c3\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c4\u03c9\u03bd \u03b5\u03c0\u03b9\u03c3\u03ba\u03b5\u03c0\u03c4\u03ce\u03bd \u03b4\u03b9\u03b1\u03bb\u03cd\u03b5\u03c4\u03b1\u03b9 \u03ba\u03b1\u03b8\u03ce\u03c2 \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03b5\u03c4\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c6\u03bf\u03c1\u03ad\u03c3\u03b9\u03bc\u03b5\u03c2 \u03c3\u03c5\u03c3\u03ba\u03b5\u03c5\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b2\u03c5\u03b8\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c3\u03b5 \u03ad\u03bd\u03b1 \u03bf\u03c0\u03c4\u03b9\u03ba\u03cc \u03c4\u03bf\u03c0\u03af\u03bf \u03c4\u03b1\u03c5\u03c4\u03cc\u03c7\u03c1\u03bf\u03bd\u03c9\u03bd \u03c0\u03c1\u03bf\u03b2\u03bf\u03bb\u03ce\u03bd.<\/p>\n<p><em><strong>&#8216;\u0395\u03af\u03bc\u03b1\u03b9 \u0395\u03ba\u03b5\u03af \u03c0\u03bf\u03c5 \u0395\u03af\u03c3\u03b1\u03b9&#8217;<\/strong><\/em>, \u03b3\u03b9\u03b1\u03c4\u03af \u03b4\u03b9\u03b1\u03c4\u03b5\u03bb\u03bf\u03cd\u03bc\u03b5 \u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c7\u03ae \u03ba\u03af\u03bd\u03b7\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03bc\u03b5\u03c4\u03b1\u03b2\u03bf\u03bb\u03ae \u03bc\u03ad\u03c3\u03b1 \u03c3\u03c4\u03bf \u03c6\u03c5\u03c3\u03b9\u03ba\u03cc \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c4\u03bf \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03cc \u03ba\u03cc\u03c3\u03bc\u03bf. \u0392\u03c1\u03b9\u03c3\u03ba\u03cc\u03bc\u03b1\u03c3\u03c4\u03b5 \u03c3\u03b5 \u03b4\u03b9\u03b1\u03c1\u03ba\u03ae \u03bc\u03b5\u03c4\u03ac\u03bb\u03bb\u03b1\u03be\u03b7, \u03ad\u03c4\u03c3\u03b9 \u03ce\u03c3\u03c4\u03b5 &#8216;\u03b5\u03bc\u03c0\u03b5\u03c1\u03b9\u03ad\u03c7\u03c9 \u03ba\u03ac\u03c4\u03b9 \u03b1\u03c0\u03cc \u03b1\u03c5\u03c4\u03cc \u03c0\u03bf\u03c5 \u03b5\u03af\u03c3\u03b1\u03b9 \u03ba\u03b1\u03b9 \u03b5\u03bc\u03c0\u03b5\u03c1\u03b9\u03ad\u03c7\u03b5\u03b9\u03c2 \u03ba\u03ac\u03c4\u03b9 \u03b1\u03c0\u03cc \u03b1\u03c5\u03c4\u03cc \u03c0\u03bf\u03c5 \u03b5\u03af\u03bc\u03b1\u03b9&#8217;. \u03a4\u03bf \u03a0\u03b5\u03c1\u03af\u03c0\u03c4\u03b5\u03c1\u03bf 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\u03b3\u03bb\u03ce\u03c3\u03c3\u03b5\u03c2, \u03c3\u03c5\u03bd\u03ae\u03b8\u03b5\u03b9\u03b5\u03c2, \u03ba\u03bf\u03c5\u03bb\u03c4\u03bf\u03cd\u03c1\u03b5\u03c2, \u03c4\u03cd\u03c0\u03bf\u03b9 \u03ba\u03b1\u03b9 \u03b1\u03c1\u03c7\u03b9\u03c4\u03b5\u03ba\u03c4\u03bf\u03bd\u03b9\u03ba\u03ad\u03c2 \u03c4\u03b9\u03c2 \u03bf\u03c0\u03bf\u03af\u03b5\u03c2 \u03b5\u03c1\u03c7\u03cc\u03bc\u03b1\u03c3\u03c4\u03b5 \u03ba\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ac \u03c3\u03b5 \u03b5\u03c0\u03b1\u03c6\u03ae, \u03b5\u03bd\u03b1\u03bb\u03bb\u03ac\u03c3\u03c3\u03bf\u03bd\u03c4\u03b1\u03b9 \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bc\u03c0\u03c4\u03cd\u03c3\u03c3\u03bf\u03bd\u03c4\u03b1\u03b9 \u03b3\u03b9\u03b1 \u03bd\u03b1 \u03b1\u03bd\u03b1\u03b4\u03b5\u03af\u03be\u03bf\u03c5\u03bd \u03c4\u03bf \u03b4\u03b9\u03b1\u03c6\u03bf\u03c1\u03b5\u03c4\u03b9\u03ba\u03cc \u03c0\u03bf\u03c5 \u03bc\u03b1\u03c2 \u03c3\u03c5\u03bd\u03ad\u03c7\u03b5\u03b9 \u03ba\u03b1\u03b9 \u03bc\u03b1\u03c2 \u03ba\u03c1\u03b1\u03c4\u03ac\u03b5\u03b9 \u03bc\u03b1\u03b6\u03af.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cWe call upon voices of resistance. We challenge the globalization of the built environment. We accentuate the crafting of humanitarian constructed fragments. We augment the simplicities of everyday rituals. We note the synergy of the untouched and the harnessed environment. We record an interwoven scenography of nature and the human condition\u201d. Curators of the Cyprus&hellip;<\/p>\n","protected":false},"author":1,"featured_media":24861,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[119],"tags":[],"eidos_vraveiou":[],"topothesies":[],"typologia":[],"xronologia":[],"class_list":["post-28169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-venice-biennale-of-architecture","category-119","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>I Am Where You Are - \u03a3\u03cd\u03bb\u03bb\u03bf\u03b3\u03bf\u03c2 \u0391\u03c1\u03c7\u03b9\u03c4\u03b5\u03ba\u03c4\u03cc\u03bd\u03c9\u03bd \u039a\u03cd\u03c0\u03c1\u03bf\u03c5<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/architecture.org.cy\/en\/i-am-where-you-are\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I Am Where You Are - \u03a3\u03cd\u03bb\u03bb\u03bf\u03b3\u03bf\u03c2 \u0391\u03c1\u03c7\u03b9\u03c4\u03b5\u03ba\u03c4\u03cc\u03bd\u03c9\u03bd \u039a\u03cd\u03c0\u03c1\u03bf\u03c5\" \/>\n<meta property=\"og:description\" content=\"\u201cWe call upon voices of resistance. We challenge the globalization of the built environment. We accentuate the crafting of humanitarian constructed fragments. We augment the simplicities of everyday rituals. We note the synergy of the untouched and the harnessed environment. We record an interwoven scenography of nature and the human condition\u201d. 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